While the monologues are all drawn from various sources, some from real life and some literary, one gets the idea that this is a very personal film and that Kerkhof / Kaganof has pulled out passages that most reflect his state of mind at least the part of his mind that skews towards darker thoughts.“Evidence suggests that while monetary gain initially motivated defendant, at some point such rewards become secondary to his perverted gratification,” a probation report read.Presumably the most notorious serial killer in Pakistan who confessed sexual abuse.This penalty is to be inflicted within the walls of the state prison at San Quentin, Calif., in the manner prescribed by law at a time to be fixed by this court in the warrant(s) for execution,” Tynan said. Here are the best quotes that will surely raise goosebumps. 10 'Well John It's Been Fun, But I Gotta Go, I Have A Date With A 6-Year-Old Boy.' (Chucky) Chucky made parents double think about buying their kid's toys. He was a creepy-looking doll that is possessed with the soul of a serial killer.The El Paso native beat, strangled, raped, sodomized, shot and slashed the throats of his victims in a savage rampage of Satanic-tinged slayings that haunted Southern California in the summer of 1985. He was captured in August of that year by angry East Los Angeles residents.And those are some killer monologues See you on Thursday with the Thanksgiving edition of Unknown Playwrights For another Gabriel Davis’ monologue Almost 16, click here.For Coffee Slave, click here.
![]() Serial Killer Monologue How To Keep AwayIn my infinite mercy, I am going to make a little proposition to you people. At will I could slay thousands of your best citizens (and the worst), for I am in close relationship with the Angel of Death.Now, to be exact, at 12:15 (earthly time) on next Tuesday night, I am going to pass over New Orleans. If I wished, I could pay a visit to your city every night. They are wise and know how to keep away from all harm.Undoubtedly, you Orleanians think of me as a most horrible murderer, which I am, but I could be much worse if I wanted to. I don't think there is any need of such a warning, for I feel sure the police will always dodge me, as they have in the past. Let them not try to discover what I am, for it were better that they were never born than to incur the wrath of the Axeman.Hoping that thou wilt publish this, that it may go well with thee, I have been, am and will be the worst spirit that ever existed either in fact or realm of fancy.What the heck, right? Would you even dare to NOT go to a jazz club that night?And then nearly 100 years later, the letter in question pops up on one of the biggest subreddits, r/todayilearned:Who was the Axeman? Is this true or an urban legend?The answers are a little fuzzy. One thing is certain and that is that some of your people who do not jazz it out on that specific Tuesday night (if there be any) will get the axe.Well, as I am cold and crave the warmth of my native Tartarus, and it is about time I leave your earthly home, I will cease my discourse. If everyone has a jazz band going, well, then, so much the better for you people. The stories were often speculative and fantastical, tapping into fears of the supernatural and the occult.In some ways, it seems like the Axeman's letter could have only worked in New Orleans. Most of them were Italian grocers, attacked with their own axes.The Times-Picayune, played up these murders to the salacious hilt, says Gibson. Because, why not?).He says as many as a dozen people were attacked in New Orleans with axes, from 1918-1919. (Also product recalls and outer space studies. Nobody was attacked that night.Dirk Gibson, a professor of communication and journalism at the University of New Mexico, specializes in serial murders. And the scene at the jazz clubs the following Tuesday night, March 18, 1919, was, as the kids today say, lit. The Navy shut down everything in the neighborhood — gambling dens, brothels, and dance halls and clubs, where jazz music flourished.Or. But it led to some saying, including LaRocca himself, that LaRocca and his band, The Original Dixieland Jazz Band, invented jazz.Was the Axeman trying to get revenge for LaRocca stealing credit? Probably not, says Hofbauer.He has a second theory that the Axeman was upset about the shuttering of the New Orleans red-light district, Storyville, in 1917. It was jazz-like, but not jazz. The first "jazz" recording, in 1917, was led by an Italian-American named Nick LaRocca, says Eric Hofbauer, a jazz guitarist and composer who's affiliated faculty at Emerson College and the Longy School of Music of Bard College."It's a controversial record in jazz history specifically because there was no improvisation," says Hofbauer. "For young people in New Orleans in 1918, 1919, they really gravitated to jazz and the blues.""It was a young people's music, and many of the neighborhoods that produced jazz musicians were what demographers would call a crazy quilt." Bruce RaeburnThere's a theory that maybe the Axeman was getting revenge against Italian-Americans — the majority of his victims — because black jazz musicians weren't getting their due credit. And the new music of the time and the place — jazz — reflected the multicultural experience."It was a young people's music, and many of the neighborhoods that produced jazz musicians were what demographers would call a crazy quilt," says Raeburn."To some extent, jazz was heading in the opposite direction of segregation, which was trying to separate people," he says. He was probably a burglar," she says. ( *)Miriam Davis, who wrote "The Axeman of New Orleans: The True Story," also has some thoughts.And she thinks the letter in the paper was NOT written by the Axeman."The Axeman was almost certainly not a well-educated person. "So he probably helped all these jazz musicians actually get paid, finally, that year."So 10 out of 10 points for good style, but minus several million for good thinking. Every jazz band in New Orleans was working and had a gig either at home or at a dance hall," says Hofbauer. They didn't fit neatly into the "white or black" categories and were willing to do jobs that whites weren't. But Miriam doesn't think so — Momfre was in prison when most of the attacks occurred.She does have some interesting thoughts on the Axeman's victims, who were, as I mentioned, mostly Italian-Americans or Italian immigrants.Most of the Italian immigrants in New Orleans at that time were from Sicily and had pretty dark skin. There's a popular theory that he was a man named Joseph Momfre, who ran a blackmailing gang in New Orleans at the time. Pyar ka karz full movie download mp4"An old-time viral marketing campaign, perhaps.By the way, Davis says to protect yourself from irrational fear you should get a big dog who will bark in the middle of the night if anyone breaks in. "And I just think that he's the most likely suspect. He was a musician and jazz composer, and right after the letter was published, he came out with a composition called "The Mysterious Axeman's Jazz (Don't Scare Me Papa).""He made a pile of money off that song," says Davis. ![]()
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